This story borrows the mezzo-fumetti technique I used for “Cabin in the Woods“, adding figures to photos I’d recently taken of the scene of the crime. Zee’s art is a bit different from mine, but I think his more cartoony style works pretty well here.  The key advantage of this method is that it allows for a more rich background environment, which is why I used it for “Cabin”. It also occurs to me that this is something of a companion piece for that story, dealing with … moving on.